Radical Left-Wing Billionaire Funding Hunter Biden Art Shows, Raising Ethical Concerns By Eric Lendrum for American Greatness
The latest round of art shows featuring paintings and other artwork by Hunter Biden are being funded by a radical far-left billionaire with a history of political activism, according to the Daily Caller.
An exhibition of Biden’s work took place on October 1st at the Milk Studios in Los Angeles; Milk Studios is owned by billionaire businessman Moishe Mana. Mana has repeatedly donated to the Democratic Party, and was also behind several vulgar art displays with political messages behind them, including an infamous nude sculpture of President Donald Trump.
Between 2015 and 2018, Mana donated over $115,000 to the Democratic National Committee (DNC) and various Democratic candidates around the country. He was a donor and strategist on the 2016 presidential campaign of Hillary Clinton, and co-hosted a fundraiser for Clinton in the closing weeks of the election where he auctioned off artwork to support her bid for president. One of Mana’s most infamous stunts was his public offer of $2,000,000 to a charity of then-candidate Donald Trump’s choice if he released his tax returns.
Support Our Site
Now is your chance to support Gospel News Network.
We love helping others and believe that’s one of the reasons we are chosen as Ambassadors of the Kingdom, to serve God’s children. We look to the Greatest Commandment as our Powering force.
Anna Massoglia, an investigative reporter at the non-profit watchdog group Open Secrets, said that “the studio being opened by a political donor who has been involved in Democratic fundraising efforts involving art in particular and using art as a tool for other political purposes, really changes the way that this can be looked at.”
“This would not be the only time that the political donor who opened the studio has used art for activism or political purposes,” Massoglia continued. “It is also not the only time art has been used as a payment method or a way to curry favor with different politicians or to even exchange for various influence operations generally…we don’t know what other favors may be given behind the scenes and what connections are being made at these art shows.”
