Disney Executives Admit: Of Course We’re Grooming Your Children BY: ELLE REYNOLDS for The Federalist
Multiple Disney employees admitted their own personal missions to deluge 5- to 9-year-olds with as much of their own sexual ideology as possible.
Disney isn’t just grooming children with radical sexual propaganda — now they’re bragging about it.
On the heels of Florida’s new Parental Rights in Education law, which bars educators from instructing kindergarten through third-grade students about sexual ideology, multiple executives and employees from the Walt Disney Company admitted their own personal missions to deluge 5- to 9-year-olds with as much of their own sexual ideology as possible.
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One Disney executive boasted about her “not-at-all-secret gay agenda” and efforts at “adding queerness to” children’s programming, in leaked audio published by investigative journalist Chris Rufo on Tuesday.
“Our leadership over there has been so welcoming to my, like, not-at-all-secret gay agenda,” said Latoya Raveneau, an executive producer for Disney Television Animation. “I was just, wherever I could, just basically adding queerness … No one would stop me and no one was trying to stop me.”
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“Something must have happened in the last — they are turning it around, they’re going hard,” Raveneau noted. On Monday, Disney vowed to keep fighting Florida’s new law, after speaking out against the bill before Gov. Ron DeSantis signed it (though Disney’s activism was not enough to satisfy a handful of employees enraged that the Mouse didn’t do more).
Another Disney employee, production coordinator Allen March, was caught in a video call advertising a “tracker” he uses to meet self-imposed quotas for LGBT characters in Disney’s “Moon Girl” TV series.
“I’ve had the privilege of working with the ‘Moon Girl’ team for the last two years and they’ve been really open to exploring queer stories,” March said. “I put together like a tracker of our background characters to make sure that we have the full breadth of expression [with] all of our gender non-conforming characters.”
But having a quota was insufficient in pushing his agenda. “It’s not just a numbers game of how many LGBTQ+ characters you have,” he continued. “The more centered a story is on a character, the more nuanced you get to get into their story, and especially with like trans characters … kind of the only way to have like these canonical trans characters, canonical asexual characters, canonical bisexual characters, is to give them stories where they can like be their whole selves.”
